超越现实:论现代影像的象征性  

Beyond Reality:On the Symbolization of Modern Images

作　　者：邓杰 

机构地区：[1]扬州大学,江苏扬州225009

出　　处：《阅江学刊》2011年第5期129-135,共7页Yuejiang Academic Journal

基　　金：国家教育部人文社科基金(07JA860004);江苏省社科联课题(A-07-48)

摘　　要：象征是超越现实提升影像艺术品质的重要途径。象征的本质是对物象原型进行主观化的建构而形成的具有某种指向性的"联想的整体",以达到发现和表述世界意义的目的,从而形成具有符号意义的价值影像。象征的原型也许是很日常化的,但因此会更有普遍性和深刻性。影响象征的因素最主要是传统文化心理,突破艺术家自身的感觉防卫系统,构建开放式的思维结构是提升象征品级的关键所在。Symbolization is the important means of promoting the artistic quality of images beyond reality.The nature of symbolization is a certain directional ＂associated whole＂ formed by subjective construction of the prototype of object so as to discover and represent the meaning of world,and thus form images of symbolic value.The prototype of symbol can be daily routine so it can carry a more profound and universal significance.The most important factor that impacts symbolization is cultural psychology.To breakthrough artists＇ own sense of defense system and build open thinking structure is the key to enhance the degree and quality of symbolization.

关 键 词：现代影像 象征性 象思维 文化心理 

分 类 号：J05[艺术—艺术理论]