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作 者:葛鸿志[1]
机构地区:[1]苏州市职业大学艺术与设计系,江苏苏州215104
出 处:《苏州教育学院学报》2011年第4期70-72,共3页Journal of Suzhou College of Education
摘 要:徐悲鸿以画马著称于世,他笔下的马融西方解剖学方法于传统笔墨之中,使"骨法用笔"得到了"科学性"的体现。群马图——《春山十骏》以长卷的形式打破了常规动物题材画的格局,画中配以山水草木,以坡地和层层远去的山头作为主体对象的背景,使画面极具纵深感。十匹骏马的动态神情生动有趣,布局精巧,独具匠心,从画面布局形式到情趣意境,都是在徐悲鸿的作品中不多见的。Famous artist Xu Beihong was renowned in the world with his horse-paintings.The horses that he painted express the harmonious combination of the western anatomical approach with the Chinese traditional drawing style,which reflects the scientific understanding of "bone-drawing with a writing brush".In Ten Horses on the Spring Mountain,a group of horses were painted on a long scroll,which breaks the conventional drawing pattern of animals.The horeses were matched with the landscape of water and mountain,as well as grass and trees in the background of a broad slope and distant mountain peaks,which expresses the profoundity of the painting.In addition,the ten horses are lively and interesting,the arrangement is ingenious,and the layout is exquisite.From the general appearance of the picture to the artistic conception,this painting is unique and rare among the works of Xu Beihong.
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