苏东坡与“春蚓秋蛇”——书学批评意象谈丛  

Su Dongpo and "Earthworms in Spring and Snakes in Autumn"——Discussions on Images in Calligraphic Criticism

作　　者：韩立平[1] 

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《文化艺术研究》2011年第3期210-213,共4页Studies in Culture and Art

基　　金：中国博士后科学基金第47批资助(20100470761)

摘　　要：唐太宗在《晋书.王羲之传》中首次以"春蚓秋蛇"意象批评萧子云书无筋骨。在苏轼的书学世界中,此一意象被创造性地转换,以表达一种涵容道家齐物观、佛家无差别见的美学思想,体现了苏轼出新意于法度之外的书学追求。Emperor Taizong of the Tang Dynasty first used the image of ＂earthworms in spring and snakes in autumn＂ to criticize Xiao Ziyun＇ s weak calligraphy. In the calligraphic world of Su Shi, the image is transformed creatively, so that the aesthetic idea encompassing Taoist views on all things and Buddhist thoughts of no difference is demonstrated. Su Shi＇ s calligraphic pursuit of innovation beyond laws is also reflected.

关 键 词：苏轼 春蚓秋蛇 书学意象 法度 新意 

分 类 号：J292.1[艺术—美术]