礼教与中国文论的发生特征  

Propriety and the Ontogenetic Features of Chinese Literary Theory

作　　者：夏静[1] 

机构地区：[1]首都师范大学文学院

出　　处：《首都师范大学学报（社会科学版）》2011年第5期58-62,共5页Journal of Capital Normal University：Social Science Edition

基　　金：国家社科基金项目(09BZW005);教育部"高等学校全国优秀博士学位论文作者专项资金"项目(200908);教育部"新世纪优秀人才支持计划"资助项目(NCET-10-0005)阶段性成果

摘　　要：礼教的形成是一个历史过程,从西周的政教制度到春秋的理论总结逮至汉代经学传统的形成,呈现出政治制度、思维模式、精神传统等不同层面的演变。以礼教为核心的"六艺"传统,通过与"天人合一"命题的融合,贯通在古人关于天、地、人三界的理解中,成为中国古代知识系统和信仰体系的价值核心所在,在传统时代的社会政治生活及人文创造活动中发挥着重要的主导作用,先在地决定了中国文论的文化基因与精神方向。politico-religious the Han Dynasty The formation of propriety （li fiao ） is a historical process. It started from the Western Zhou system through the theoretical summary of the Spring and Autumn period until the canonization of , which permeated political institutions, modes of thinking and ideological traditions. The ＂Six Arts＂ embodied propriety as its nucleus, the ＂unity of man and Heaven＂ thesis integrated propriety, and the general categories of Heaven, Earth and Man assimilated propriety, giving rise to its core status in the ancient Chinese knowledge and belief systems and its prominent guiding role in both political life and literary creation. Thus, a priori, propriety determined the cultural genes and future orientations of the Chinese literary theory.

关 键 词：礼教 人文化成 宗法伦理 人情人性 

分 类 号：B82-092[哲学宗教—伦理学]