论乾嘉汉学与文学的同构  

Statement on the Isomorphism between the Sinology in Qianjia Period and Literature

作　　者：胡贤林[1] 

机构地区：[1]安徽农业大学人文社科学院,安徽合肥230036

出　　处：《江南大学学报（人文社会科学版）》2011年第5期102-106,110,共6页Journal of Jiangnan University：Humanities & Social Sciences Edition

基　　金：教育部人文社科青年基金项目(10YJC751032);安徽省教育厅人文社科基金项目(2009sk105zd);安徽农业大学稳定和引进人才科研资助项目(2008)阶段性成果

摘　　要：乾嘉汉学作为清代中期官方推崇的主流学术,与文学呈现出某种同构之势,涉及到三个层面:文人与学者的兼容、汉学介入文论话语及文学创作的炫学化倾向,反映出乾嘉时期学术风尚与文论思潮之间的复杂关联。The sinology in Qianjia period,as the mainstream in academy held in high esteem during the middle of Qing Dynasty,presenting some kind of intendency in isomorphism,is involved in three aspects： the compatibility between writers and scholars,the sinology inserting into literary discourse and the intendency in metaphysics of literature.

关 键 词：乾嘉汉学 文学 同构 

分 类 号：I209[文学—中国文学]