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机构地区:[1]重庆大足石刻艺术博物馆,重庆大足402360
出 处:《敦煌研究》2011年第4期21-26,129,共6页Dunhuang Research
摘 要:本文对大足北山石刻第254号的初步分析,认为主尊像为阿弥陀佛、观音、地藏,侧壁造像为十王和判官,并认为该龛在题材上,具有浓厚的世俗化佛教色彩。其中的十王造像,对于探讨大足石刻同类题材的演变,尤其是五代时期,提供了一个更加清晰的发展线索。同时,该龛存有准确的铭文,为深入了解地狱神灵系统的演变,提供了早期珍贵的实物资料。By this article take it a careful analysis of iconic subject matter of No.254 in the Northern Mountain of Dazu Grottoes, for granted that the front major sculptures are Amita Saints: Amitabha, Avalokitesvara, Kshitigarbha and on the flanking wall are the Ten Rulers of the underworld with the judge in Hades. The group of sculptures has strong sense of vulgarization of Buddhism, especially describe the Ten Kings had offered a clearly picture for us to trace back the development of the Ten Kings of underworld in the Five Dynasties. The definition of cleady inscriptions on each of the scenes had also offered proofed materials of the earlier times for us to understand deeply the systematic development of underworld gods.
分 类 号:K879.3[历史地理—考古学及博物馆学]
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