从《说文》所收《诗经》用字谈许慎《诗》学——以“从女”字为例  

An Analysis on Xushen's Study on The Book of Songs from its Words in Analytical Dictionary of Characters:A Case Study on the nv Radical Character

作　　者：康国章[1] 

机构地区：[1]安阳师范学院文学院,河南安阳455000

出　　处：《河南大学学报（社会科学版）》2011年第6期104-110,共7页Journal of Henan University(Social Sciences）

基　　金：河南省哲学社会科学规划项目"<说文>所收<诗经>用字考"(2011BYY001)阶段成果

摘　　要：汉代《诗》学的今古问题是一个非常复杂的概念,这是由《诗》文本传承的历史状态决定的。检诸古文字材料,《毛诗》文本中亦有不少"从女"字,很可能是汉代以后才出现的。许慎《诗》学既宗《毛诗》,亦取"三家诗"之说,这不仅源自于许慎的学术渊源,还与许慎强烈的文字本借意识和模糊的文字今古认识有关,也与《诗》学和小学的复杂关系有关。The Ancient and modern Study on The Book of Songs in Han dynasty is a complicated concept,which is decided by the history state inheriting the book.From ancient literature material,we find that there are few words of nv radical characters,which probably came out after Han dynasty.Xushen＇s study on The Book of Songs evolved from Maoshi,or took advantage of ＂Three Poems＂,which is not merely derived from Xushen＇s academic source,but also involves Xushen＇s strong consciousness in borrowing characters and his vague ancient and modern knowledge of characters,and relates to the complex connection between study on The Book of Songs and character study.

关 键 词：《说文解字》 《诗经》 “从女”字 许慎《诗》学 

分 类 号：I206.2[文学—中国文学]