云南少数民族“蛊女”意象的定格与超越——以《摩雅傣》为起点的叙事策略分析  

On Image of Gunv(Witch) in Yunnan Ethnic Minorities——An Analysis based on Narrative Strategy in Mo Ya Tai(Dai Doctor)

作　　者：朱和双[1] 

机构地区：[1]楚雄师范学院,云南楚雄675000

出　　处：《楚雄师范学院学报》2011年第10期49-57,74,共10页Journal of Chuxiong Normal University

基　　金：国家社会科学基金项目"阿昌族巫蛊信仰的现代变迁研究";项目编号:07XZJ010;云南省教育厅科学研究基金项目"阿昌族巫蛊信仰的人类学研究";项目编号:6Y0116E

摘　　要：明清以来的汉文典籍中有关妇女"蓄蛊"的蛮夷化书写与华夏文化圈边界的拓展有着密切的关系。新中国建立以后,云南边地那些被诬蔑会放蛊害人致病的少数民族妇女很快便成为作家文学争相涉足的叙事母题;在旧社会被侮辱与受损害的"琵琶鬼"作为整个民族新生的象征而获得解放,这是民主改革时期达成的共识。然而,对云南少数民族蛊女命运这一话题的强调又反过来让作家们萌生出要改编或解构《摩雅傣》的内在冲动,这种潜在的叙事策略使得"妇女解放"作为宏大话语不断受到读者的质疑。Since Ming and Qing Dynasties, description of Xugu （ a kind of sorcery in which the sorcerer would call together all kinds of insects and cast spells on them to harm people） as barbarian in Chinese ancient books and records has been closely related to the expanding of Chinese cultural circle. After new China was founded, those ethnic minority women stigmatized as sorcerers who would call together poisonous insects and harm people became the writers＇ narrative motifs. In the literatures, these women called Pipa ghosts got free as a symbol of the whole nation to get a new life, which is the consensus in period of democratic reform. However, the emphasis on the fate of Yunnan minority Witch initiates the writers＇ impulse to revise and deconstruct Mo Ya Tai （ Dai doctor ）, and this potential narrative strategy of making Women＇ s Liberation the grand discourse has constantly been challenging by readers.

关 键 词：云南边地 少数民族 蛊女叙事 精神结构 刻板印象 

分 类 号：K892.474[历史地理—民俗学]