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作 者:廖泓泉[1]
出 处:《广播电视大学学报(哲学社会科学版)》2011年第3期35-39,共5页Journal of Radio & TV University(Philosophy & Social Sciences)
基 金:国家社会科学基金项目"诗词关系与词体演进"的阶段性成果;项目编号:09XZW008
摘 要:北宋前期词在发展中深受地域文化因素的影响,表现出地域性不平衡的特点。北宋前三朝政治环境中对南方士人的歧视排斥,限制了南方词人的成长,词坛一度消沉萎顿。真宗后期和仁宗朝词坛开始勃兴,则与南方士子精英大量进入北宋政权和文坛密切相关。北宋前期,南方、北方词人作品风格总体表现出明显的地域性分野。随着北宋前期词人仕宦经历的改变,个体的歌词题材和风格也随之出现明显地域色彩。汴京、洛阳、杭州等地域性歌词创作中心的出现,塑造、锻炼了词人,推动了北宋词的勃兴,对宋词的雅化具有重要的影响。The lyric development in the earlier stage of Northern Song Dynasty is lack of balance,which is affected deeply by regionalism culture.The lyric circle becomes depressed and withered,because south gentry and literators are discriminated and excluded in the political circumstance during the three dynasties of earlier Northern Song,that restricts the south lyricists' growth.The lyric circle grows vigorously during the later stage of Emperor Zhenzong and the period of Emperor Renzong,which is associated closely with the mass of elite group getting into political and cultural circles of Northern Song Dynasty.The style of lyrics appears regionalism division in accord with south and north lyricists.Also,the individual themes and styles of the lyrics appear regionalism clearly in accord with the lyricists' official experience change of their own.The lyric creation centers of Bianjing,Luoyang and Hangzhou,etc.appear,that mold the lyricists,push forward the lyrics of Northern Song Dynasty grow vigorously,affect the elegance of the lyrics deeply.
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