艺术的“过程化”与“米歇尔计划”的破落  

The Decline of the "Proceduring" and "Mitchell Plan" of Art

作　　者：庄长达[1] 

机构地区：[1]闽江学院服装与艺术工程系,福建福州350108

出　　处：《贵州大学学报（艺术版）》2011年第3期96-99,103,共5页Journal of Guizhou University Art Edition

摘　　要：艺术的"过程化"指当代艺术有目的地将自然过程或历史过程置入艺术创作,将"过程"策略化使用的现象。本文通过对W.J.T.米歇尔的概念"图像转向"还原而揭开综合、跨越现有学科进行视觉文化研究的"米歇尔计划",并将其置于中国当代艺术的语境中,讨论了中国当代艺术中对形象/文本的同质化解读和反解读行为与"米歇尔计划"相悖的现象,进而指出中国当代艺术存在的将"艺术计划"模式带入艺术生产中的"过程化"的危险。The ＂proceduring＂ of art denotes the phenomenon of a purposeful implantation of the natural or historical procedures into art creation and the strategic utilization of ＂procedure＂ by modern art.Through the reduction of W.J.T.Mitchell＇s concept of ＂picture turn＂,this paper uncovers the ＂Mitchell Plan＂,which studies the visual arts in a comprehensive and inter-disciplinary way.Placing ＂Mitchell Plan＂ in the context of contemporary Chinese art,the paper discusses the contradiction between the homogeneous interpretation and anti-interpretation of image/text in contemporary Chinese art and ＂Mitchell Plan＂,and points out the danger of ＂proceduring＂ of contemporary Chinese art in introducing the ＂art plan＂ model into art production.

关 键 词：W.J.T.米歇尔 图像转向 中国当代艺术 同质化 反解读 “过程化” 

分 类 号：J024[艺术—艺术理论]