论杜甫审美观及其审美鉴赏纬度  

On Its Aesthetic Appreciation and Aesthetic of DU Fu Latitudes

作　　者：王守民[1] 

机构地区：[1]福建师范大学美术学院,福建福州350108

出　　处：《吉林省教育学院学报》2011年第11期108-110,共3页Journal of Jilin Provincial Institute of Education

摘　　要：唐代大诗人杜甫在书法上的造诣谈不上很高,但也是不容忽视的。在盛唐气象日渐衰微之际,杜甫的书法审美观影响了后世的文学艺术爱好者。杜甫在书法上体现出了非常明确的审美趋向,他的审美观和审美鉴赏维度,正是前代书法家所不具备的。当然,杜甫自然也有他的局限性,但也确实构成了唐代书法审美鉴赏发展中的转捩点。In Tang dynasty, poet du fu in calligraphy attainments less, but we should not ignoring. The things in the glorious age of tang poetry meteorology,DU Fu＇ s growing influence of calligraphy aesthetics later literature and art lovers. DU Fu in calligraphy the very clear apologetic politeness, his aesthetic tendency of the aesthetic standard and aesthetic dimension, is that previous that the later generations calligrapher＇ s doesn＇ t have. Of course he had his own limitations, but of tang dynasty, he is on the tuming point in the de- velopment of calligraphy aesthetic appreciation

关 键 词：杜甫 审美观 鉴赏维度 局限性 

分 类 号：I206.2[文学—中国文学]