后经典时期马克思主义文艺美学的形态与主题  

A Study of the Forms and Themes in Marxist Literary Aesthetics in Post-classic Period

作　　者：谭好哲[1] 

机构地区：[1]山东大学文艺美学研究中心

出　　处：《山东大学学报（哲学社会科学版）》2011年第6期1-9,共9页Journal of Shandong University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学重点研究基地重大项目"文艺美学元问题与文艺美学学科体系建设"(06JJD75011-44008)的阶段性成果

摘　　要：19世纪末叶至今,是马克思主义文艺美学的进一步发展时期或日后经典时。依时间序列和观念取向而言,后经典时期的马克思主义文艺美学可以分为科学型、政治型、社会批判型和文化分析型四种理论形态。四种理论形态各有其理论成就和局限,显示出现代马克思主义文艺美学的多样性与复杂性,同时在其多样性和复杂性背后,也蕴含着理论主题上的共通性与统一性,这就是对人的自由和解放问题的高度关注。The period from the end of 19th century to the present has witnessed the further development of Marxist literary aesthetics and is accordingly referred to as Post-classic period. According to the time sequence and ideolog- ical orientations, post-classic Marxist literary aesthetics could be divided into four theoretical schools, namely, the scientific theory, the political theory, the social critical theory and cultural analytical theory. Each of the four theories has its strengths and limitations, well speaking of the variety and complexity of contemporary Marxist literary aesthetics. Underneath the variety and complexity is the similarity and unity of themes, that is, the great concerns over human freedom and liberation.

关 键 词：后经典 马克思主义文艺美学 形态 主题 

分 类 号：I01[文学—文学理论]