论中国诗歌含有的音乐性  

On the Musicality in Chinese Poem

作　　者：程向兰[1] 

机构地区：[1]邵阳学院音乐系,湖南邵阳422000

出　　处：《邵阳学院学报（社会科学版）》2011年第5期87-90,共4页Journal of Shaoyang University:Social Science Edition

摘　　要：文章从节奏、押韵、音调、声情、复沓、重叠、双声、叠韵等方面论述了中国诗歌含有的音乐性;同时指出:诗歌与音乐毕竟是两种不同的艺术形式,其艺术手段和给人的感受有其不同点;诗歌的声韵并不等于音乐,而只是诗歌含有的音乐性因素,因而作诗不能以此为满足,还应进一步在诗歌的音乐性元素方面着力,去适应与配合音乐。诗人应主动寻求与作曲家、歌唱家合作,共同创造珠联璧合的音乐作品。This article expounds the musicality in Chinese poem from the aspects of rhythm,rhyme,tone,emotion,repetition,overlap,alliteration and assonance.It also points out that： poem and music are two different art forms,both its artistic qualities and the feelings have different points;the rhyme of the poem is not equal to music,which are only some elements of the musicality.So poem can not satisfy with this.We should pay more attention to the musicality of the poem so as to match up the music.Poet should take the initiative to seek cooperation with composer,singer,to create perfect music together.

关 键 词：诗歌 音乐 音乐性 

分 类 号：I207.2[文学—中国文学]