“艺术”与“道德”之间的厚此薄彼——从《鸠那罗的眼睛》看苏雪林对唯美—颓废主义思潮的接受  

Art First or Morality First:On Su Xuelin's Acceptance of Aestheticism-decadentism Thought from Kunala's Eyes

作　　者：丁增武[1] 

机构地区：[1]合肥学院中国语言文学系,合肥230601

出　　处：《合肥学院学报（社会科学版）》2011年第6期43-47,共5页Journal of Hefei University:Social Sciences

基　　金：教育部人文社会科学研究青年项目(10YJC751014);安徽省教育厅人文社会科学重点项目(2011SK383ZD)资助

摘　　要：《鸠那罗的眼睛》是苏雪林唯一的唯美主义剧作,其比较纯正的、东方式的唯美主义趣味,有别于现代文坛其他作家对西方唯美—颓废主义的"创造性不忠",代表了现代文坛对以王尔德为代表的唯美—颓废主义的一种纯艺术角度的接受。这部剧作记录了20世纪30年代苏雪林曾经受到唯美—颓废主义的短暂而深刻的影响,并对之给予了自己的理解。Kunala＇s Eyes is the only drama of aestheticism-decadentism written by Su Xuelin,whose pure and oriental aestheticism is different from that of the other writers in the modern literary arena who are not faithful to it in their creation.It suggests a thorough artistic acceptance of aestheticism-decadentism headed by Oscar Wilde.This drama shows that Su Xuelin was once influenced by aestheticism-decadentism in 1930s temporarily but profoundly and she has interpreted it in her own way.

关 键 词：《鸠那罗的眼睛》 《莎乐美》 唯美—颓废主义 艺术 道德 

分 类 号：I06[文学—文学理论]