论北朝诗歌声律的发展  

On the Development of Rhyme Theory in the Northern Dynasty

作　　者：卢盛江[1] 叶秀清[1,2] 

机构地区：[1]南开大学文学院 [2]马来西亚拉曼大学

出　　处：《吉林大学社会科学学报》2011年第6期58-64,155,共7页Jilin University Journal Social Sciences Edition

基　　金：国家社会科学基金后期资助项目(07FZW002)

摘　　要：北魏孝文帝太和年间以前还没有声律的自觉意识。孝文太和至东西魏分裂,南方永明四声之说已传到北方,北魏诗歌声律有了变化,但较南方晚一个节拍,说明接受新的四声之说、声律之说要有一个过程。东西魏分裂之后,声律追求大大前进了一步,但还没有达到和南朝声律同步发展的程度。北齐北周已完全接受永明声律说,南北诗歌声律基本上没有差异,说明政治上统一之前,文学上就已有了南北合流的趋势。这是北朝声律发展的大致面貌。Prior to the Taihe period under the regime of Xiaowen in Northern Wei Dynasty,there was no self-consciousness of poetry rhyme It was from Taihe period till the split-off of the entire Northern Wei Dynasty,the Yongming poetry style in Southern region with the emphasis on the rule of four tones was then spread to Northern region.The poetry rhyme rules of Northern Wei was started to evolve in the North but it was still in a slower pace compared to the South.This showed that a transition was needed for the acceptance of the new poetry style and the rules of four tones.Following the breakup of Eastern Wei and Western Wei Dynasties,though the pursuance in poetry rhyme rules had greatly improved in the North,the development was still not on a par with the South.When it came to the next dynasties of Northern Qi and Northern Zhou,Yongming poetry style and its rhyme rules were well accepted.There was generally no difference found on poetry rhyme rules for both the North and the South region,which demonstrated that convergence through literature had already been in place for both North and South region even before the political unity was achieved.The present paper summarizes the development of Northern rhyme theory.

关 键 词：北朝 声律 北魏 《四声论》 律句 

分 类 号：I207.22[文学—中国文学]