言说女性与女性言说——论中国现代文学“闺怨”叙事的历史传承  

Talking about the Female and the Female's Talking:On the Narrative Topic of "Gui Yuan" in Modern Chinese Literature

作　　者：宋剑华[1] 

机构地区：[1]暨南大学中文系

出　　处：《南开学报（哲学社会科学版）》2011年第6期1-11,共11页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：教育部人文社会科学研究项目(10YJA751063)

摘　　要："闺怨"叙事是中国文学的一大现象,但在不同性别作家的描述当中,又表现出了截然不同的价值取向:男性作家一般只是将"闺怨"简单地归结为一种女性求"爱"不得时的情绪发泄,而女性作家则往往是将"闺怨"视为一种自身主体意志的表达方式——无论是"顾影自怜"还是"相思之苦",都与"爱情"并无本质性的必然联系,"怨"既是一种青春期女性的生理现象,也是一种女性抗争悲剧命运的无奈之举——因此,言说女性与女性言说的矛盾对立,就像两条垂直延伸的平行线,形成了一种贯穿古今的文学传统,同时也导致了男女作家在思想认识上的严重分歧。The description about narrative of＂ Gui Yuan＂ （ the women＇s resentment） which is a major topic of Chinese literature is totally different by the writerB different gender that the male writers usually just regard it as a simply mood to vent that a woman seeking ＂love＂ unsuccessfully but the women writers often regard it as a way to express their own will - whether it is ＂lament herself lonely＂ or ＂the pain of missing＂, which is no connection with ＂love＂ and the feeling of ＂resentment＂ is both a female adolescent physical phenomenon and an action of a women fighting with her tragedy fate. Therefore, there is a contradictory in China＇s literary tradition between talking about the women and the female＇s talking which just likes two parallel lines extending vertically to lead to a serious difference in ideological understanding between the men and women writers.

关 键 词：“闺怨”叙事 青春期女性 自我意志 心灵独语 “他者”缺席 

分 类 号：I206.6[文学—中国文学]