傅毅《舞赋》蕴含的汉代文化气息  

The Cultural Connotation of Han Dynasty Reflected in Fu Yi's Dancing Fu

作　　者：张铁慧[1] 

机构地区：[1]长春师范学院<昭明文选>研究所,吉林长春130032

出　　处：《长春师范大学学报（人文社会科学版）》2011年第6期58-60,共3页Journal of Changchun Teachers Coliege

基　　金：吉林省教育厅"十二五"社会科学研究项目(吉教科文合字[2011]第161号);吉林省社科基金项目(2011B379)

摘　　要：傅毅关于舞蹈的名篇《舞赋》,淋漓尽致地描述了汉代舞蹈形态,并对当时极为盛行的盘鼓舞作了精美绝伦的描绘。傅毅在赋中鲜明地表达了自己独特的乐舞观,并指出郑卫乐舞与雅声之别在于雅俗相得益彰。傅毅对这种俗乐新声的充分肯定,相对儒家传统的诗教,无疑是一种突破。Dancing Fu,which is the masterpiece of Fu Yi,incisively and vividly described the form of dance in Han Dynasty,and depicted the popular dance in plate and drum at that time.In this work,Fu Yi brightly expresses his unique view on music and dance,and pointed out that the difference between elegant music and unconscious fading murmuring lied in that the former could make elegance and popularity bring out the best in each other.Compared with Confucian poetry education,Fu Yi＇s view undoubtedly is a breakthrough.

关 键 词：盘鼓舞 郑卫之声 乐舞观 汉文化 

分 类 号：I206.2[文学—中国文学]