论《九歌》中呈现的三种文化意绪  

On the Three Cultural Connotations Revealed in Jiu Ge

作　　者：王丽娟[1] 庞家伟[1] 

机构地区：[1]陇东学院文学院,甘肃庆阳745000

出　　处：《衡水学院学报》2011年第6期25-27,共3页Journal of Hengshui University

摘　　要：历来,学者们对屈原《九歌》的性质争论纷云,没有定说。原因是作品本身呈现出复杂、多层的文化意绪,它有着民间原始宗教的气息,又带着宫廷神圣宏大的祭歌排场,而其间总丝丝屡屡穿涌着作者跳动的灵魂、奔腾的情感。作品能够把几种彼此颇为独立的文化意绪巧妙地呈现出来,关键在于诗人独特的生命体验、特殊的身份以及卓越的艺术才能,最终谱写出蒙胧原始、雄宏庄严、哀怨叹惋的千古《九歌》。The reasons why scholars have been constantly arguing about the nature of Jiu Ge but without definite conclusion are the complex and multifaceted cultural connotations,the atmosphere of its folk primitive religion and the significant and divine court folk customs of the work,which reflect the soul and passion of the author.The ingenious presentation of the several quite unique cultural connotations in the work comes from the author＇s distinct life experiences,his special identity and outstanding talent which make him create the everlasting primitive,gigantic and pathetic Jiu Ge.

关 键 词：《九歌》 文化意绪 民间文化 宫廷祭歌 个体情感 

分 类 号：I207.22[文学—中国文学]