中国文言小说的创作理论  

The Writing Theories of the Chinese Classical Novels

作　　者：段庸生[1] 王欢[1] 

机构地区：[1]重庆工商大学文学与新闻学院,重庆400067

出　　处：《晋阳学刊》2011年第6期116-120,共5页Academic Journal of Jinyang

基　　金：国家教育部社科基金项目<中国文言小说文化思维研究>(09YJA751084)的阶段性成果

摘　　要：中国文言小说的创作理论主要包括:题材采录与文言小说发生;连缀编次与"公余"创作心态;"摭实"表征与虚构本质。"采录"的观念反映出中国文言小说早期发生的"原初"形态;而"连缀"的主创方式,正好适合了文人"休闲"的生活状态及"公余"的写作心态,培养了文人"不朽"价值观念以外的另一种"立言"的方式,是对"原道""、征圣"及"文章经国"创作方式的突破":摭实"表征下的诸多虚构手法,既是文人出于"征信"而自我约束的文化心理,又通过虚构对"摭实"进行反正,提升了文言小说的文学性与美学价值。The writing theories of the classical Chinese novels mainly include the parts as follows：the collecting of the themes and the occurrence of the novels;the arrangements of orders and the leisure writing mentality;the feature of ＂picking up the fact＂ and the fictional essence.The view of collecting and recording the materials reflects the original situation of the early Chinese classical novels.And the creative way of linking together the materials is suitable for the writers＇ leisure living situation and writing mentality,and bring up another way of expounding ideas in writing which is beyond the immortal views.It is a breakthrough for YuanDao﹑ ZhengSheng and wenzhangJingGuo.Many fiction skills with features of ＂picking up the fact＂ are formed because of the self-constrain culture psychology,as many writers seek to make the stories credible.And when fabricating is used as the counterevidence towards the feature of ＂picking up the fact＂,the literary attribute and the aesthetics values of classical Chinese novels are greatly improved.

关 键 词：文言小说 采录与连缀 摭实与虚构. 

分 类 号：I045[文学—文学理论]