明清时代江南才女文化的繁荣与弹词体小说  

The Prosperity of Culture of Literary Women in Ming and Qing Dynasties and Storytelling Novels

作　　者：鲍震培[1] 

机构地区：[1]南开大学,天津300071

出　　处：《阅江学刊》2011年第6期100-106,共7页Yuejiang Academic Journal

基　　金：天津市社会科学规划项目"弹词小说研究"(TJ05-YW0301)

摘　　要：明清两代才女文化与我国南方女性文化的发展有密切的关联。明清时期尤其清代以后,女性文学的主体发生重大改变,才女由名妓传统转向闺秀传统,呈现多元化和群体性的特点。才女作家的弹词体小说从书面文学、写作手法、读者及其主旨等四个方面建立了女性文学叙事传统,并影响深远。Culture of literary women in Ming and Qing dynasties related closely to t^minine cuhure in southern China. During the Ming and Qing Dynasties, especially after Qing Dynasty, the subject of feminine literature changed tremendously from courtesan to learned gentlewoman with the characteristics of diversity and groups. The storytelling novels by the literary women establish the tradition of literary narrative in the four aspects; written literature, writing style, readers and theme, which have far-reaching significance.

关 键 词：才女文化 弹词 女性写作 弹词体小说 书场弹词 

分 类 号：I207.419[文学—中国文学]