权力·性·话语——论沈从文作品中的审美乌托邦建构  

AUTHORITY,SEX AND DISCOURSE On the building of Aesthetic Utopia in Shen Congwen's Works

作　　者：黄寒冰[1] 顾秀丽[2] 

机构地区：[1]浙江传媒学院,浙江杭州310018 [2]浙江工业大学,浙江杭州310024

出　　处：《云梦学刊》2011年第6期97-101,共5页Journal of Yunmeng

摘　　要：沈从文常自称"乡下人",在他的文学创作中,他一方面通过自己的民间话语描述"他者""乡下人"的生存状况,另一方面,又着力立足于历史文化的角度,把同一文化体系中不同文化层面上的中国城乡文明加以对照和比较,通过传达一种对比性的深刻体验和高度抽象性的文本实验中主体性的失落而试图在揭示出人生悲剧的结构之下,映象出民间话语与知识权力的媾和。Naming himself a country folk, Shen Congwen used to describe the living conditions of ＂other people＂ and ＂the country folks＂. Besides, he compared unban civilization and rural civilization in China, which were in the same culture but in different cultural systems, from the perspective of historical culture. He illustrated a combination of fold discourse and intellectual power through a comparative experience. This paper attempts to discuss about the building of aesthetic Utopia in Shen Congwen＇s works from the perspectives of power, sex and discourse.

关 键 词：话语 权力 性 审美乌托邦 

分 类 号：I206.6[文学—中国文学]