“非本色”创作及其诗歌史意义  

"Non-inherence" creation and its implications in history of poetry

作　　者：熊海英[1] 

机构地区：[1]江汉大学语言文学研究所,湖北武汉430056

出　　处：《长安大学学报（社会科学版）》2011年第4期98-104,共7页Journal of Chang'an University(Social Science Edition)

基　　金：国家社会科学基金项目(11BZW051)

摘　　要：基于中国古代诗歌史上三次大变革时期关键人物的创作皆具"非本色"特征,对韩愈、苏轼和杨万里"非本色"诗歌创作的个案进行研究。分析认为:"非本色"创作具有一些共同特征,表现在语言变革、审美价值观的突破、"游戏于斯文"的创作态度和重视"意"的自由表达等方面;"非本色"诗人的共同特质是"才、胆、识、力"俱备;文学传统除旧布新的源头活水和巨大动力正是"非本色"创作。In the history of peotry, the key figures in their peom creation during the three revolutions are all characterized by their＂ non-inherence＂. In this paper, the author conducts analysis for the specific cases of ＂non-inherence＂ in the peom creation from HAN Yu, SU Shi and YANG Wan-li. The analysis finds that the ＂non-inherence＂ peom creation has some common characteristics, they are： the revolution in language, the breakthrough in aesthetic appreciation, creation attitude in gentleness and the presenta- tion in implication. The peots with＂non-inherence＂ creation all possess the quality of ＂talent, bravery, understanding and capability. ＂ The source of revolution for the old and creation for the new in the trad- itional literature and the great motivation, surely, come from the ＂non-inherence ＂ creation.

关 键 词：诗歌 非本色 创作特质 诗歌史 

分 类 号：I052[文学—文学理论]