大诗歌理念在“大诗”写作中的艺术显现——以梁平诗集《巴与蜀:两个二重奏》、《三十年河东》为例  

Artistic Expression of Magnificence in Great Poems——An Analysis Based on A Duet of Ba-Shu Culture and San Shi Nian He Dong(Development in Recent 30 Years)

作　　者：周建军[1] 

机构地区：[1]中央民族大学,北京100081

出　　处：《楚雄师范学院学报》2012年第1期32-37,共6页Journal of Chuxiong Normal University

摘　　要：诗人梁平近年以《重庆书》、《巴与蜀:两个二重奏》、《三十年河东》等诗集为创作契机,转向"丰富"与"错杂"的历史文化抒写,地域性强,风格遒劲,节制凝练中透出机智与隽永,体现出一定的历史观与思力。自《重庆书》起,梁平诗寻求"大诗歌"理念在历史题材和日常生活叙事间的多重张力,以有意味的结构、语言开拓诗歌境界为"中年变法"的显例;如说《重庆书》是巴渝文化、历史沉淀及城市血性的彰显的话,那么《三星堆之门》则体现其追寻失落历史、反思文化困境、突破史书记载的限阈,展开想象与遐想的翅膀;《三十年河东》以宏大气魄,将历史嬗变和个人体验入诗,有"散文化"和"报章材料入诗"痕迹,体现了"大诗歌"理念的创作风尚。Liang Ping is an influential poet in China. This paper attempts to explore Liang Ping＇ s pursuit of magnificence by analyzing his representative anthology, A Duet of Ba - Shu Cul-ture and San Shi Nian He Dong （Development in Recent 30 Years）. Through the years, Liang Ping＇s poetry works present different features in different periods. However, generally, magnifi-cence has been Liang Ping＇ s persistent pursuit and is expressed in different ways covering various topics with historical events, personal experiences in ordinary life and current affairs of the countrymixed together.

关 键 词：大诗歌理念 多重意蕴 意味 张力美 

分 类 号：I207.22[文学—中国文学]