二十世纪初至今中国古典小说意境研究述论  

On the Chinese Classical Novel Artistic Conception from the Early Twentieth Century till Now

作　　者：康建强[1] 王鑫淼 董明会 

机构地区：[1]白城师范学院中文系,吉林白城137000 [2]本溪市第三高级中学,辽宁本溪117014

出　　处：《白城师范学院学报》2011年第6期32-36,51,共6页Journal of Baicheng Normal University

摘　　要：二十世纪初至今,中国古典小说意境研究大致分为两个阶段并表现为两种状态:1900年至1948年为第一阶段,前期延续了晚清的发展态势并开始出现转型倾向,但在新文化运动之后受研究思路与时代氛围的影响,表现为急剧衰落的趋势;1949年至今,受特定时代氛围的影响,古典小说意境研究经历了近30年的沉寂后于1977年开始复苏并有诸多论述问世,但又存在着"泛化"现象。总体而言,虽然经历了百余年的发展历程,中国古典小说意境范畴仍缺乏科学严谨的系统性研究,有待进一步加强。From the early twentieth century, Chinese classical novel conception is divided into two phases and performances of the two states. The first state is from 1900 to 1948, early days continued the trend of the late Qing Dynasty and began restructuring the development tendency, but behind the New Culture Movement by the impact of climate and research ideas of the times, showed the sharp decline trend. Since 1949, affected by the specific atmosphere of times, Chinese classical novel conception experienced 30 years silence and recovered in 1977. At this state, there were a lot of discussions but a ＂Generalization＂ phenomenon existed. In general, undergoing a course of over a hundred years of development, Chinese classical novel conception still lack of systematic studies of scientific rigor, and it needs an in - depth study.

关 键 词：中国古典小说 意境研究 两个阶段 两种状态 

分 类 号：I207.65[文学—中国文学]