古典诗歌审美传统的大突破——论“诚斋体”的变雅为俗  

Break Through the Aesthetic Traditional of Chinese Classical Poetry ——The Beauty of the Su of "Chengzhai Style"

作　　者：熊海英[1] 

机构地区：[1]江汉大学语言文学研究所,湖北武汉430056

出　　处：《太原理工大学学报（社会科学版）》2011年第4期66-69,72,共5页Journal of Taiyuan University of Technology(Social Science Edition)

基　　金：国家社会科学基金"士阶层分化与南宋文学生态之新变"(11BZW051)

摘　　要："俗"是"诚斋体"审美特质构成的重要因素。"诚斋体"诗歌语言白俗,因为杨万里大量使用白话口语入诗,并且接受民歌句法影响;诗歌题材常俗,以日常情景为主,显示出对重大庄严题材的回避倾向;诗歌情趣谐俗,不同于诗歌传统的典重高雅。"诚斋体"的大"俗"之美突破了古典诗歌的审美传统,故始终难于定论。The key to the aesthetic features of the ＂Chengzhai Style＂ is ＂Su＂ （simplicity/popularity）. Yang Wanli used a large amount of vernacular languages in his poems,as well as elements of folk songs. Subjects came from daily life,leading to a tendency to avoid the stately ones. The poems are not as elegant as traditional ones. Yang＇s poems are bold in innovation,indicating that ＂Chengzhai Style＂ had surpassed the tradition of pursuing elegance in classical poetry.

关 键 词：“诚斋体” 语言 题材 情趣 俗 

分 类 号：I207.227.442[文学—中国文学]