舟山群岛宗教文化的美学阐释  

Aesthetic Expoundation On Religious Culture of Zhoushan Archipelago

作　　者：翟恒兴[1] 

机构地区：[1]浙江海洋学院人文学院,浙江舟山316004

出　　处：《温州大学学报（社会科学版）》2012年第1期55-60,共6页Journal of Wenzhou University：Social Science Edition

摘　　要：古代舟山群岛宗教美学主要经历了三个发展阶段:原始信仰阶段、道家美学阶段和禅宗美学阶段。舟山群岛原始信仰文化审美的主要内容是鸟图腾与龙崇拜,"有为"与"自然"是舟山群岛道家美学特征,而善的价值取向则是舟山群岛禅宗美学特质。The ancinet religious aesthetics of Zhoushan Archipelago mainly experienced three stages of development： stage of primitive belief, stage of Taoist Aesthetics and stage of Zen Aesthetics. The main contents of cultural aesthetics of the primitive beliefs of Zhoushan Archipelago are bird totem and dragon worship. ＂Achievement＂ and ＂nature＂ are the characteristics of Taoist Aesthetics of Zhoushan Archipelago, while value orientation towards good is the quality of Zen Aesthetics of Zhoushan Archipelago.

关 键 词：舟山群岛 宗教文化 审美研究 

分 类 号：B83-0[哲学宗教—美学]