青海省河湟地区城镇化进程中民间艺术文化生态发展——以青海省湟中县民间艺术荟萃“八瓣莲花”为例  

On the Development of the Cultural Ecology of the Folk Art in the Hehuang Region of Qinghai Province in the Course of the Region Heading for Urbanization——The "Eight-petal Lotus",Essence of the Folk Art of Huangzhong County Taken for Example

作　　者：梁玉金[1] 邹晓飞[1] 燕思彤[1] 

机构地区：[1]青海大学社会科学系,青海西宁810016

出　　处：《沈阳农业大学学报（社会科学版）》2011年第5期620-624,共5页Journal of Shenyang Agricultural University(Social Sciences Edition)

基　　金：2010年度国家西部项目(10XMZ)

摘　　要：每个地区民间艺术文化的原生态在城镇化进程中,伴随着现代文明的时代诉求而发生变化。以青海省湟中县"八瓣莲花"为例,探索"八瓣莲花"的荟萃在湟中县城镇化进程中建构该地区文化品牌的重要意义。在河湟地区城镇化过程中,文化方向选择都是民族间文化的"他者"与"我者"双重因素交互作用的一种融合。民间艺术文化作为某一地区人们文化生活的重要载体和创造的生产力之一,往往使得河湟地区的文化发展呈现出鲜明的古老与现代的二重性特征。在河湟地区城镇化进程中,民间艺术文化走向现代市场产业化发展,在发展中明显地镌刻了地方性、民族性和文化自觉性因素。In the course of urbanization the original ecology of the folk culture and art in every region is changing with the epochal petition of modern civilization.The ＂Eight-petal Lotus＂ that was originally created in Huangzhong,a county of Qinghai province is used as example to explore the important meaning the ＂Eight-petal Lotus＂ is possessed of in the county＇s construction of local cultural brand in the course of its urbanization.In the course of the urbanization of the Hehuang region the regional culture is orientated towards the combination of the external factors with the internal ones.Falk art and culture,as one of the important carriers of the local people＇s cultural life and one of the productivities created by the local people,tends to lead the local cultural development to take on both the distinctive ancient and modern feature.In the course of the Hehuang region＇s urbanization,its folk art and culture is heading for modern market and industrialization,in which such elements as locality,nationalization and cultural self-awareness exist very obliviously.

关 键 词：河湟地区 城镇化 民间艺术文化 “八瓣莲花” 青海省 

分 类 号：G122[文化科学] K901.6[历史地理—人文地理学]