试论张贤亮“才子佳人”模式写作的多重指向  

The Discussion of Zhang Xianliang's Multiple Orientationof writing mode in "Bel-esprit and Beauty"

作　　者：田秀平[1] 杨赛楠[2] 倪志刚[3] 

机构地区：[1]北华航天工业学院建筑工程系,河北廊坊065000 [2]北华航天工业学院文法系,河北廊坊065000 [3]北华航天工业学院宣传部,河北廊坊065000

出　　处：《北华航天工业学院学报》2011年第6期43-45,共3页Journal of North China Institute of Aerospace Engineering

摘　　要：当代作家张贤亮在他的小说写作中,以自身22年的右派生活为写作题材,利用才子佳人模式,融合个体写作经验,为读者提供了一重新的阅读空间,同时也为20世纪80年代的中国文学添了新鲜一笔。更值得关注的是,在张贤亮模式写作的背后,还渗透了他写作的多重指向,其中传达和展现的心路历程、时代气息、读者期待、身份纠结,读来更觉张贤亮作品的现实和丰富。In Zhang Xianliang＇s novels,he used his 22 years＇ rightist life experiences,and combined bel-esprit and beauty pattern with individual writing experience,he not only provided the readers with a new perspective,but also made 1980s＇ Chinese literature abundant and colorful.Furthermore,there were multiple orientations in his works with the Bel-esprit and Beauty pattern.At the same time,it showed the bitter adventure of mind,rhythm of the times,the readers＇ expectation,and confused identity,which revealed the quality of abundance and being realistic.

关 键 词：张贤亮 才子佳人模式 指向 

分 类 号：I207[文学—中国文学]