米·布尔加科夫戏剧中的梦幻与现实  

The Dream and Reality in Bulgakov's Plays

作　　者：周湘鲁[1] 

机构地区：[1]厦门大学中文系比较文学与世界文学教研室

出　　处：《戏剧（中央戏剧学院学报）》2011年第4期18-25,共8页Drama:The Journal of the Central Academy of Drama

摘　　要：布尔加科夫对于舞台有独到的见解:舞台展示伪装、剥除伪装,因此是唯一不演戏、不表演的地方,它比现实更重要,更真实。通过分析布尔加科夫剧作中对假定性的理解及运用,我们看到布尔加科夫的艺术观是其宗教哲学世界观的自然延伸,现实与舞台、与艺术的关系对应于此岸与彼岸、表象与真理,梦、艺术、真理不可分割。M. Bulgakov insightfully holds that stage is real, whereas reality is illusory. An examination of Bulgakov＇s understanding and employment of ＂the magic if＂ may reveal to us that Bulgakov＇s view on art is a natural extension of his religious and philosophical views. The relationship of reality with stage and art corresponds to that between this shore and the other shore, and appearance and truth. The dream, art and the truth are inseparable.

关 键 词：米·布尔加科夫 梦 现实 真理 

分 类 号：I512[文学—其他各国文学]