犍陀罗本生雕刻的印度文化母题  

On Gandhāran Jātaka Reliefs:A Perspective of Indian Cultural Motifs

作　　者：蔡枫[1] 

机构地区：[1]北京大学外国语学院,北京100871

出　　处：《深圳大学学报（人文社会科学版）》2012年第1期18-23,共6页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社科基金资助项目"犍陀罗雕刻艺术与民间文学关系考证"(09BWW025);深圳大学人文社会科学基金资助项目"犍陀罗艺术研究学术史"(10QNCG08)

摘　　要：犍陀罗本生雕刻作为印度文化母题的视觉化形式,以叙事性图像生动地阐释印度民间广泛推崇的价值观。犍陀罗本生雕刻的文化母题包括具有普世意义的乐善好施的传统;以轮回报应为理论基础,以孝敬忠贞为核心的伦理道德观念;奉行虔诚于神和克制苦行的修身理念。这些文化母题真实地再现了古代印度人民的社会理想、家庭关系和人生追求,是今人理解古印度文化的可靠资料。As a kind of visual mode of Indian cultural motifs,Gandhāran Jātaka reliefs vividly illustrate the viewpoints of ancient Indian People with a series of narrative images.Basing on iconographic studies,this essay focuses on the interaction of the Jātaka reliefs and Jātaka tales.Gandhāran Jātaka reliefs embody several kinds of Indian cultural motifs,including charity,filial piety,loyalty,restraining and ascetic practices.With these Indian cultural motifs,Gandhāran Jātaka reliefs,as one kind of reliable resources of ancient Indian culture,represent ancient Indian People＇s social ideals,family relationship and personal pursuits.

关 键 词：犍陀罗 本生雕刻 印度文化 母题 

分 类 号：J19[艺术—艺术理论]