论藏民族史诗《格萨尔王传》的“崇高”之美  

ON THE "SUBLIMITY" IN TIBETAN EPIC LIFE OF KING GESAR

作　　者：李天道[1] 

机构地区：[1]四川师范大学文学院

出　　处：《民族学刊》2011年第6期78-84,104,共7页Journal of Ethnology

基　　金：国家社会科学基金项目"中国古代科学技术思想与美学理论研究"(项目编号:08BZX068)的阶段性成果

摘　　要：古罗马杰出的修辞学家和哲学家朗吉弩斯认为,作为文学作品,崇高的意旨应是第一位的,隽永、伟大、不朽的文学作品产生于"崇高"的意旨与最佳的语言及文体形式的完美融合。应该说,我国西部藏民族史诗《格萨尔王传》就非常鲜明地表现出朗吉弩斯所标举的崇高审美域,其英雄人物形象的塑造、戏剧冲突的设置及战争场面的描绘等都突显了崇高审美域所具有的"不可抵抗的征服力",给予受者以"狂喜惊异"和"高兴、娱悦"的审美感受。Longinus,the outstanding rhetorician and philosopher in ancient Roman,thinks that as a literary works,the intention of 'Sublimity' should be the first one.Meaningful,great and immortal literary works come from perfect amalgamation between the intention of 'Sublimity' and the best language and style form.In this paper,the author thinks that 'Life of King Gesar',the Tibetan epic of western China is distinctive to show the lofty aesthetic field that held by Longinus.In 'Life of King Gesar',the creations of heroic figure,the settings of dramatic conflict and the descriptions of fighting scenes etc.all highlighted 'irresistible conquest force' that the aesthetic field of 'Sublimity' has,which could give appreciators the 'ecstasy surprise' and 'happy,entertained' aesthetic experience.

关 键 词：朗吉弩斯 崇高 民族史诗 《格萨尔王传》 

分 类 号：I29[文学—中国文学]