皎然《诗式》“作用”与唐五代诗格的“磨炼”理论  

A Perspective on "Zuo Yong" in Poetic Styles by Jiaoran and the "Molian" Theory in Shige of the Tang and Five Dynasties

作　　者：李江峰[1] 

机构地区：[1]山东师范大学文学院,山东济南250014

出　　处：《中国文学研究》2012年第1期77-81,共5页Research of Chinese Literature

基　　金：作者国家社会科学项目"晚唐五代诗格研究"(10CZW024)的阶段性成果

摘　　要："作用"是皎然《诗式》中重要的诗学概念,其内涵学术界看法不一。把"作用"放在从皎然诗论的整体理论体系和唐五代诗格的整体两个不同层面进行考察,我们发现,皎然所言"作用"主要指向"意",指诗歌创作过程中对诗意的琢磨与锤炼,是唐五代诗格"磨炼"理论的一部分。"磨炼"是唐五代诗学的核心理论,其发展线索从王昌龄《诗格》开始,经皎然《诗式》,到旧题白居易《金针诗格》最后成熟,并在晚唐五代以至宋初的诗格中蔚为大观,是唐五代诗格中独具特色的理论之一。The term ＂Zuo Yong＂ which has different connotation in the Academia is an important poetic concept in Poetic Styles by Jiaoran.In view of the two different theory systems by Jiaoran and the ＂Molian＂ Theory in Shige of The Tang and Five Dynasties,We think that the main connotation of the term ＂Zuo Yong＂ in Poetic Styles points to ＂Yi＂ and its meaning is refining or polishing the idea of poem in poetic writing which is included in the ＂Molian＂（polish） theory in Shige of the Tang and Five Dynasties.＂Molian＂ is the core thoery of the Tang and Five Dynasties poetry theory,and its development leads from Wang Changling＇s ＂Shige＂ to Jiaoran＇s ＂Poetic Styles＂ and to its maturity with ＂Jinzhen Shige＂ by Bai Juyi.＂Molian＂ is one of the most unique theories in the Tang and Five Dynasties and the early Song with presenting a splendid sight.

关 键 词：皎然 诗式 作用 磨炼 诗格 

分 类 号：I206.09[文学—中国文学]