现代文艺创作美学中的“童心说”  

"Childlike Innocence Theory" in Aesthetics Theory of Modern Literary and artistic creation

作　　者：袁文丽[1] 刘绍瑾[2] 

机构地区：[1]广东金融学院财经传媒系,广东广州510521 [2]暨南大学文学院,广东广州510632

出　　处：《中国文学研究》2012年第1期116-119,共4页Research of Chinese Literature

基　　金：蒋述卓教授主持的教育部人文社会科学重点研究基地重大项目"中国古典文艺美学的现代价值研究"(05JJD750.11-44211)的阶段性成果之一

摘　　要："童心说"是一个重要的古典文艺美学范畴,同时又是现代文学创作和批评中经常使用的概念。现代语境中的"童心"意蕴,在积淀了传统要义的基础上,更吸收了中西文化的丰富内涵,彰显出"童心"与文学创作的血肉联系。"童心说"可谓一种创作美学,它指引着我们今天的文艺创作向健康的方向发展;同时又化作一股"审美"的清泉,能净化人们本真的心灵,去建构理想的人格。＂Childlike Innocence Theory＂ belongs to an important aesthetic category of classical literary and artistic theory.And it is a concept frequently used in modern literary creation and criticism.Based on the traditional essence,＂Childlike Innocence Theory＂ in modern context absorbs the rich connotation of Chinese and Western cultures and highlights the close connection between ＂Childlike Innocence Theory＂ and literature creation.＂Childlike Innocence Theory＂,as the aesthetics of creation,leads our literary creation toward a healthy development;at the same time,it turns into a stream of ＂aesthetic spring water＂ to purify human being＇s soul and reshape ideal personality.

关 键 词：现代语境 “童心说” 创作美学 

分 类 号：I01[文学—文学理论]