对话:生态美学的方法论基础——对生态现象学方法的补充  

Methodological Basis of Ecological Aesthetics A Supplement to Ecological Phenomenology

作　　者：孙丽君[1] 

机构地区：[1]山东财经大学文学与新闻传播学院,济南山东250014

出　　处：《陕西师范大学学报（哲学社会科学版）》2012年第1期131-136,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金后期资助项目(10FZW010)

摘　　要：生态美学审美经验的本质是一种家园意识。生态美学的家园意识是人类的一种存在方式,是人类与自我和解的方式。它来源于现象学对人的有限性研究。生态美学将自然视为人的有限性的原因。对话将这一原因内化为此在的意识。对话的基础是对自然构成人类限制性条件的理解。在生态美学的对话中,对话的过程可分为人与人、人与他人及人与自然的对话。对话是解决生态美学困境的方法论基础。Ecological aesthetic experience is a consciousness of homeland in essence.The consciousness of homeland in ecological aesthetics means a manner of human existence and a manner of reconciliation between humanity and individual selves as well,which is originated from phenomenological study of human limitation.Ecological aesthetics attributes human limitation to nature,which is internalized into human consciousness of realistic existence through dialogue.And the basis of dialogue is derived from an understanding of nature posing conditions for human limitation.The process of dialogue in ecological aesthetics can be divided into dialogues between man and man,between man and other man and between man and nature.In a word,dialogue offers a way out to rid ecological aesthetics of dilemma.

关 键 词：生态美学 对话 家园意识 生态现象学 

分 类 号：B83-066[哲学宗教—美学]