杨炼早期诗歌和江河诗歌的重新比较  

A Comparative Study of Yang Lian's Poems in Early Period and Jiang He's Poems

作　　者：牛殿庆[1] 

机构地区：[1]宁波城市职业技术学院,浙江宁波315100

出　　处：《浙江万里学院学报》2012年第1期66-70,79,共6页Journal of Zhejiang Wanli University

摘　　要：杨炼和江河被视为有同一审美创作倾向——即"史诗诗人",经常被评家同时提起同时概括,称他们为"寻根文学"的最初范式。他们是两种截然不同的诗歌风格,如果把两个人的诗风做个比喻,杨炼的诗就好像海浪激荡的大海,而江河就是宁静的海滩。中国当代诗歌史缺少了对他们诗歌的解读。江河和杨炼试图从人类的发生地和历史的源头、从民族文化的根源那里重新出发,趟出一条人类存在的新的现实之路。Yang Lian and Jiang He are regarded as epic poets,sharing the same aesthetic outlook. They are always discussed together by critics as the representative poets of root-seeking poetry. Their writing style are totally different. We compare Yang Lian＇s poems to a rough sea and Jiang He＇s a quiet beach. There is not adequate interpretation of their poems in modern China. Their poems attempted to find a realistic path for human beings by examing the origins of human race ,history and national culture.

关 键 词：误读 杨炼 江河 朦胧诗 《纪念碑》 《大雁塔》 

分 类 号：I044[文学—文学理论]