战争史诗与爱情传奇——以怪诞视角解读《红高粱家族》  

作　　者：李伟[1] 

机构地区：[1]宝鸡文理学院外语系,陕西宝鸡721013

出　　处：《文学界（理论版）》2012年第1期35-37,共3页

基　　金：陕西省教育厅科研项目(2010JK018);宝鸡文理学院重点科研项目(ZK1045)

摘　　要：中国当代著名作家莫言在史诗巨制《红高粱家族》中,成功地使用了怪诞手法。本文依据美国学者菲利普.汤姆森的怪诞理论分析该小说中的一些显著的怪诞特征,如不和谐、滑稽、恐怖和反常等。怪诞描写的运用,有助于真实地呈现20世纪上半期动荡不安、波澜壮阔的中国社会图景和祖先蓬勃的生命激情,寄寓了作者拯救人类文明"退化"的宏大理想和人文关怀。Mo Yan,one of famous contemporary Chinese writers,successfully uses a lot of grotesque descriptions in his epic,The Red Sorghum Family.American scholar Philip Thompson＇s theory of the grotesque is proper to be used to analyze some significant characteristics of the novel,such as disharmony,comicality,terror and abnormality,and helps to truthfully represent the chaotic and grand social condition of China in the first half of the 20th century,＂my＂ forefathers＇ primitive passion for life,and the author＇s ideal of saving human beings from degeneration and great concern for humanity.

关 键 词：怪诞 恐怖 反常 滑稽 不和谐 

分 类 号：I06[文学—文学理论]