程垓闺情词论析  

ANALYSIS ON LOVESICK CI POEM OF CHENG GAI

作　　者：许丹[1] 

机构地区：[1]华东师范大学古籍研究所,上海200241

出　　处：《西南石油大学学报（社会科学版）》2012年第1期111-114,16,共4页Journal of Southwest Petroleum University(Social Sciences Edition)

基　　金：2010年华东师范大学校级"博士研究生学术新人奖"项目(XRZZ2010010)

摘　　要："男子作闺音"是宋词中一种独特的创作现象。两宋众多词人中,程垓乃男子作闺音之典型,他的词集名《书舟词》,其中闺情词有20多首。程垓以女子口吻为代言体作闺情词,用曲折婉转的方式反映自己与故乡以及与意中人的双重别离,间接自我抒情,题情合体。然而他在闺情词创作中仍然具有一定程度上的男性主体意识,以男性化视角来想象伊人,这使得词中女主人公形象略显人情不足。It was a unique phenomenon in Song Ci-a kind of poetry in Song Dynasty of China,that male poets expressed their lovesick feelings by imitating maiden's tone.Among all the poets in Song Dynasty,Cheng Gai is the representative male poets who wrote lovesick Ci poems.His work collection was called Shu Zhou Ci which collected more than twenty lovesick Ci poems.There is a perfect combination of feelings and words in his works.Using maiden's tone as first-person narrators,he expressed his severe sentiments of being parted from his hometown and his dream-girl in his works by euphemistic means.However,his imagination of the beauty from male perspective in his works shows that male dominance still existes in his lovesick Ci poems,which takes away some of the vividness of the heroines.

关 键 词：宋词 程垓 闺情词 代言体 男性视角 

分 类 号：I206.2[文学—中国文学]