语言论诗学视野下的语言诗——以“新批评”为参照  

The Language Poetry from the View of Linguistic Poetics:With Reference to the New Criticism

作　　者：尚婷[1] 

机构地区：[1]太原师范学院外语系,山西太原030012

出　　处：《浙江外国语学院学报》2011年第6期63-66,共4页Journal of Zhejiang International Studies University

基　　金：国家社会科学基金项目(11CWW004)

摘　　要：语言诗在反叛传统诗学体系的同时,又承继了语言论诗学的血脉,将艺术之根深植于索绪尔学说中,强调诗歌意义的生成源自语言系统内部,诗歌应该放逐诗人、取消个性。这一点与同属语言论诗学范式的新批评的诗歌主张是高度一致的。但是,语言诗认为语言的自足性以及意义的生成机制均应建立在差异性联系上,而新批评则坚持建立在全新的语法秩序上。这一问题上的严重分歧,使语言诗辞别现代主义而走向解构主义,在隔代承传中完成了对新批评的突破。While revolting against the traditional poetic system, the language poetry inherits the linguistic poetics and roots in Saussure~ theory. It emphasizes that the meaning of poetry is produced from the interior of language and that the poem should exile the poet and his individuality. What it advocates is consistent with the poetic view of the new criticism. However, in language poetry＇s opinion, the self-sufficiency and the meaning generation mechanism is based on variety, but not on the new syntax which the new criticism demands. Because of this serious divergence, the language poetry follows deconstructivism instead of modernism and achieves the breakthrough of the new criticism in intergenerational inheritance.

关 键 词：语言诗 语言论诗学 新批评 解构主义 

分 类 号：I106[文学—世界文学]