近现代中国画论与民族精神之考释  

Investigations of Chinese Painting Theory and the National Spirit in Recent Times

作　　者：杨洲[1,2] 

机构地区：[1]北京师范大学古籍与传统文化研究院,北京100875 [2]石家庄学院马列部,河北石家庄050035

出　　处：《河北学刊》2012年第2期245-247,共3页Hebei Academic Journal

基　　金：2011年度河北省社会科学基金项目<中国画论与民族精神研究>(HB11ZX001)

摘　　要：从新文化运动到抗日战争爆发之前,关于中国画的论争成为一个突出的文化景观。各种派别的论者对于绘画整体功能的认识相当一致,并不约而同地将其上升到国家、民族复兴的高度。抗日战争时期,各画种都为民族救亡作出了积极贡献,文艺家们的画学思想中关于民族复兴、民族精神的倡导更加鲜明有力。当代关于中国画体现民族精神的提法与近现代史一脉相承,并融入了民族文化复兴的主流。The controversy about the Chinese painting from the 1919 Movement of New Culture to the break out of Anti -Japanese War in 1937 has been upgraded to the cultural level, namely, the height of the national rejuvenation, which is acknowledged by all academic schools. In the period of Anti - Japanese War, various paintings made contributions to the national salvation. Artists advocated the national rejuvenation and spirit. Now the saying of Chinese painting reflecting the national spirit comes from the Anti - Japanese War.

关 键 词：近现代史 中国画论 民族精神 

分 类 号：B834.4[哲学宗教—美学]