汉代美学二题  

Two Opinions On Aestheics In Han Dynasty

作　　者：胡健[1] 

机构地区：[1]淮阴师范学院文学院,江苏淮安2233001

出　　处：《青海民族大学学报（教育科学版）》2011年第6期36-39,43,共5页Journal of Qinghai Junior Teachers' College

摘　　要：汉代美学的整体特点在于它的过渡性质,阴阳五行学说将此前的阴阳说与五行说融为一体,提供了一个包括对中国古代艺术影响很大的宇宙观;汉儒的《乐记》、《诗大序》则分别对先秦儒家的音乐与诗歌美学作了总结,提出了对后世影响很大的"以道制欲""以理节情"的审美规范。In Han Dynasty, China becomes a unitary feudal centralization of authority country. So the whole characteristics of the aestheics in Han Dynasty is its transition nature. The doctrine of yin and yang and five elements makes the doctrine of Yin and Yang merge with the doctrine of Five Elements and provids a world view which makes an impaorant impact on the art in ancient Chnia. The Music Stories and Great Proface On Poems make a summary on Confucianism music before Qin Dynasty and put forward the aestheies standard of ＂control one＇ s desire with dao＂ and ＂control one＇ s feeling with courtesy＂ which make a great impact on later ages.

关 键 词：汉代 阴阳五行 以道制欲 以礼节情 

分 类 号：B83-069[哲学宗教—美学]