论多多诗歌对异域文化的审美接受  

On Duo Duo’s Aesthetic Acceptance of Foreign Culture

作　　者：王红升[1] 郝辉[2] 郭海英[3] 

机构地区：[1]邯郸学院中文系,河北邯郸056005 [2]邯郸学院政教系,河北邯郸056005 [3]邯郸学院教育学院,河北邯郸056005

出　　处：《邯郸学院学报》2011年第4期64-66,共3页Journal of Handan University

基　　金：2011年度河北省社会科学基金项目"燕赵文化影响下的白洋淀诗歌群落研究"(HB11WX021)

摘　　要：多多是文革时期诗歌创作的代表性诗人,也是当今诗坛备受关注的诗人。从70年代至今,多多一直致力于诗歌创作和研究,并逐渐形成了自己的独特风格。多多的诗歌中存在大量异质因素,借鉴俄苏诗歌的艺术风格,并接受西方现代主义创作技巧,诗风洋溢着浓郁的异域风情。Duo Duo is the representative poet of the Cultural Revolution, and is still popular at present poetic circle. From the seventies to the present day, Duo Duo has been committed to research and poetry creation, and gradually formed his own unique style. There are a lot of different factors in Duo Duo＇s poem including, reference to Russian poetry and the western modernist skills. His poetic style is filled with foreign amorous feelings.

关 键 词：多多诗歌 俄苏文学 西方现代派 异域风情 

分 类 号：I207.25[文学—中国文学]