王昌龄诗学几个问题新析  

Some New Thoughts About Wang Changling's Poetics

作　　者：卢盛江[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《徐州工程学院学报（社会科学版）》2012年第2期68-74,共7页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社会科学基金后期资助项目"文镜秘府论研究"(07FZW002)的阶段性成果

摘　　要：王昌龄论文学"南北宗",以北宗指北方汉魏风骨,以南宗指南朝文风,实际承继了魏征、李延寿等关于南北文风不同的说法。王昌龄论"意"提出很多重要思想,他所论之"意",有着丰富的内涵,既指诗中主旨,又指作品主旨体现出的思想境界,还指构思之意和感兴之意,指诗歌创造的丰厚意蕴。王昌龄"格高"说,是提出一个层次比较高的艺术审美境界。关于声律,王昌龄也提出很多看法。王昌龄论格律调,提出一种理想的审美境界,是一个完整的思想。Wang Changling＇s theories of ＂North and South Sects＂, in which North refers to North Han and Wei style while South refers to the style of the South Dynasties, inherited Wei Zheng and Li Yanshou ＂s thoughts on the difference of styles in writing between the north and the south. Wang＇s argument about ＂yi＂ has actually proposed many important thinking. His ＂yi＂ is rich in connotations, referring to both the gist of the poem and the ideological realm, both the poet＇s emotions and the rich implications of the poem. Wang＇s proposal of ＂h^gh meaning＂ actually opened up a higher level of aesthetics. Wang Changling has al- so put forward many views on rhythm. Wang Changling＇s views on rhythm and tone of poems is a complete one, which helps put forward a kind of ideal realm of aesthetic appreciation.

关 键 词：王昌龄 南北宗 意高 格律调 《文镜秘府论》 

分 类 号：I207.22[文学—中国文学]