论曹操诗歌的悲情色彩及审美体认  

On Tragic Color of Poetry of Cao Cao and Aesthetic Recognition

作　　者：马志英[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《北方民族大学学报（哲学社会科学版）》2012年第2期128-131,共4页Journal of North Minzu University(Philosophy and Social Science)

基　　金：宁夏回族自治区社会科学规划项目"建安文学与北方地域文化关系研究(10NXZZW02)

摘　　要：生命意识与悲情体验是魏晋文人普遍的艺术感受。曹操的文学作品具有浓郁的悲情色彩,他的诗歌无论是反映民生疾苦还是抒发功业理想、表达游仙之思都充满着悲情之思,呈现出悲情之美。其成因是多元的,既有特定的社会因素,也有诗人性格根据,又有以悲为美的传统审美观念的影响。The awareness of life and tragic experience is the common artistic feeling of men of letters of Weijin. Cao Cao＇s literature is rich in tragic colors, and his poems are full of sad tales, showing the tragic beauty whether it reflects the plight of the people or to express his personal ideal, his travels and thinking. Its causes are diverse with specific social factors, the character of poet, and traditional aesthetic concept of sadness beauty.

关 键 词：曹操诗歌 悲情美 审美认同 

分 类 号：I207.2[文学—中国文学]