从川端康成到卡夫卡——余华小说创作的转型与新时期小说审美范式的变化  

From Yasunari Kawabata to Kafka:Yu Hua's Shifts in Fiction Writing as Seen from the Evolution of Aesthetic Paradigms in Contemporary Chinese Novels

作　　者：王永兵[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246133

出　　处：《浙江师范大学学报（社会科学版）》2012年第2期21-28,共8页Journal of Zhejiang Normal University(Social Sciences)

基　　金：国家社会科学基金项目"欧美先锋文学与中国当代先锋小说"(09BZW062)

摘　　要：余华的小说创作深受川端康成和卡夫卡的影响,上个世纪八九十年代,余华经历了两次创作转型:由抒情转向叙事、从想象/观念世界走向现实/真实世界,两次转型不是告别川端康成和卡夫卡,而是更加贴近两位大师的精神世界。余华的创作转型与整个新时期文学整体审美范式的转变几乎同步进行,从川端康成到卡夫卡不只是余华一个人的创作现象,而是一种共相,是新时期文学告别感性走向理性、求变创新走向世界的诉求与标志。Yu Hua has been deeply influenced by Yasunari Kawabata （1899 -1972） and Franz Kafka （ 1883 - 1924） in his fiction writing. The last two decades of the 20th century witnessed two of his shifts in writing style ： one was from lyrical to narrative, and the other from imagination （ the conceptual world） to real- ity （ the real world）. Neither marked a farewell to the two literary giants; rather, the two shifts made him clos- er to the inner world of Kawabata and Kafka. It happened that Yu＇ s literary shifts went almost side by side with the turns of aesthetic paradigms in contemporary Chinese literature. Thus Yu＇ s shifts mark not only his personal progress but, more importantly, the general turn of Chinese literature from emotionality to rationality, as well as its appeal for innovations and international perspectives, in a new historical period.

关 键 词：川端康成 卡夫卡 余华 新时期文学 转型 

分 类 号：I206.7[文学—中国文学]