庄子“逍遥”的美学诠释  

An Aesthetic Decipherment of Zhuangzi's "Free Wandering"

作　　者：颜翔林[1] 

机构地区：[1]温州大学人文学院,浙江温州325015

出　　处：《湖南城市学院学报》2012年第1期40-43,共4页Journal of Hunan City Univeristy

基　　金：浙江省哲学社会科学规划立项课题(06CGWX25YBX)

摘　　要：道是庄子的本体论,逍遥则作为庄子的生存论,"逍遥以游"是庄子最崇尚的审美方式。在生存论意义上,逍遥游一方面是生命存在的方式,是主体寻求的一种最纯粹最高妙的生存状态和生命境界;另一方面,也是理想的审美方式和诗意化的生命智慧的呈现。游戏精神成为逍遥的有机组成,逍遥也为游戏精神的敞开提供了可能。游戏精神成为《庄子》的一种风韵和情趣,给予接受者一种思维的启悟和审美的快乐。Tao is Zhuangzi＇s ontology and free wandering is his existentialism.＂Free spiritual wandering＂ is Zhuangzi＇s favorite aesthetic way.In existentialism,on one hand,it is a purest and most ingenious life style which an individual pursues;on the other hand,it is a presentation of ideal aesthetic way and poetic life wisdom.Game spirits is an organic component of free wandering and the latter also provides opportunity for the appearance of the former.Game spirits become a style and taste of the book Zhuangzi,and they give readers a sort of thinking enlightenment and aesthetic happiness.

关 键 词：庄子 逍遥 游 美学 

分 类 号：I01[文学—文学理论]