走下神坛的人性——从生态批评视角解读《伊利亚特》的电影改编  

Humanity Walking down off the Altar:Interpretation upon Film Adaption “Iliad” from the perspective of Ecological Criticism

作　　者：许克琪[1,2] 沈婷婷[2] 

机构地区：[1]东南大学艺术学院,江苏南京210018 [2]东南大学外国语学院,江苏南京210018

出　　处：《艺术百家》2012年第3期202-205,共4页Hundred Schools In Arts

基　　金：国家"211工程"三期"艺术学理论创新与应用研究"项目阶段性成果之一

摘　　要：自然环境的不断恶化引发了人类对于生态的关注,以文学文本为载体、探讨生态问题的生态批评应运而生。《特洛伊》是根据荷马史诗《伊利亚特》改编的好莱坞大片,虽然电影中包含了一定的商业成分,但作为一门大众艺术,电影在对原著的改编过程中也反映了当代人与古希腊时期不同的思想意识形态。本文试图通过对比能反映古希腊时代生态观的荷马史诗《伊利亚特》及能反应当代生态观的电影《特洛伊》,找出古今生态观的异同点。希望能追溯今日盛行的生态观的雏形,并借希腊智慧之光,找到能让人类与自然和谐相处的途径。The continual deterioration of natural environment appeals people to pay attention to. Ecological criticism begins to take place in literature filed. ＂Troy＂ is a Hollywood blockbuster adapted from Homer＇s epic ＂Iliad＂. Though there is a plenty of commercial element in this film, however, as a popular art, it reflects a disparity between contemporary people and ancient Greeks in thoughts and ideology. Through such comparison, the present article tries to find out ecological overview of contemporary people and ancient Greeks, and hopes to find a way to harmonize the relationship between human and nature.

关 键 词：电影艺术 艺术创作 《伊利亚特》 《特洛伊》 生态批评 人性 电影改编 

分 类 号：J905[艺术—电影电视艺术]