明清词谱中的“同调异体”  

Same Tune with Different Styles of the Collections of Tunes of Ci Poems in Ming and Qing Dynasties

作　　者：李冬红[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《齐鲁学刊》2012年第2期119-123,共5页Qilu Journal

基　　金：教育部人文社会科学研究规划基金项目"诗词曲的文体互摄及批评走向与词史演进"(11YJA751035)

摘　　要：从简单的定调到同调异体概念的形成,从同调分体的粗疏到异体辨析的细化,从简单的标注到固定的谱式,明清词谱中对同调异体的关注程度日益提升,分析探究也更趋合理与成熟,进一步完善了词谱的编纂体制,增加了词谱的词学价值。同时,对加强词体规范和深化词律研究提供了很好的参照和大量的文献资料,丰富了词体样式,从而促进了词体创作。More emphasises have been put on ＇the Homology Allogeneic＇ in the Ming and Qing term spectrum,which could be approved by factual findings,for instance,the formation of concept of ＇the Homology Allogeneic＇ transferring from the simple tune,refinement from the Homology Split to Allogeneic Analysis,fixing spectral type from simple tagging.Therefore,research analysis are becoming increasingly reasonable and mature which improve the compilation of the word spectrum system and increase the value of Ci specturm.In the meantime,＇the Homology Allogeneic＇ provides great reference in strengthening the body of norms and deepening the word law study,as well as enriches the Ci styles to further facilitate the production of Ci.

关 键 词：明清词谱 同调异体 谱式标注 词体辨析 

分 类 号：I207.23[文学—中国文学]