庄子“齐一”概念的美学诠释  

An Aesthetic Decipherment of Chuang-Tzu's Concept:"Uniformity"

作　　者：颜翔林[1] 

机构地区：[1]温州大学人文学院,浙江温州325015

出　　处：《中国文学研究》2012年第2期5-7,27,共4页Research of Chinese Literature

基　　金：浙江省社会科学规划项目"庄子怀疑论美学及其当下意义"(06CGWX25YBX)的阶段性成果

摘　　要："齐一"一方面是将道的本体论和逍遥的生存论相统一的思维方法,构成认识论;另一方面,"齐一"也是追求不动心、消解差异从而达到混沌状态的境界论。它和"道"与"逍遥"一样,共同构筑了庄子怀疑论美学的逻辑前提和思想基石。"齐一"的概念不符合一般的形式逻辑,它更是一种智慧论和审美论,是诗意的认识论和价值观。从认识论和境界论相统一的视角考量,庄子的"齐一"观或"齐物论"潜藏着丰富的怀疑论美学的精神意义。On the one hand, as a thinking method which integrates ontology of Taoism with existentialism of Peripatetieism, ＂Uniformity＂ gives birth to epistemology. On the other hand, ＂Uniformity＂ is a philosophy which achieves a realm of integrated mass by refusing lures and eliminating differences. Together with ＂Tao＂ and ＂Peripateticism＂, it builds the logic premise and i- deological foundation of Chuang-Tzu＇ s skeptical aesthetics. The concept ＂Uniformity＂ is not in accord with the common formal logic. It is a philosophy of wisdom and aesthetics, and it is a poetic epistemology and axiology. From the perspective of epistemology and realm theory, Chuang-Tzu＇ s ＂Tneory on uniformity＂ has been abundant with the spiritual significance of skeptical aesthetics.

关 键 词：庄子 齐一 怀疑论 美学 

分 类 号：I01[文学—文学理论]