论明清历史小说的叙事节奏  

On the Narrative Rhythms of the Historical Novels in Ming and Qing Dynasty

作　　者：赖力行[1] 杨志君[1] 

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2012年第2期75-78,共4页Research of Chinese Literature

摘　　要：节奏是文学艺术的外在形式,也是内在的旋律。本文借用西方叙事学理论,对历史小说中快速式节奏、慢速式节奏、停顿式节奏分别加以阐发,指出历史小说在开头、结尾运用快速式节奏,在打斗场面、闲笔、虚构之处运用慢速式节奏,在固定套语、历史文献、描写性内容、评论性文字处运用停顿式节奏,并揭示其审美内涵与功能。Rhythm is the outward form as well as the inner melody of literature. This thesis employs the western theories on narration to analyze the rhythms of historical novels with fast, normal and slow rates. The author tries to point out that in the beginning and ending of a novel, the writer tend to use fast rate; while in scenes of fighting, random hngering or fabrications, the writer prefers a slower rhythm ; in the cases of formula, historical literature and descriptive contems and comments, the writer will employ a paused rhythm, in order to disclose its aesthetic beauty and function.

关 键 词：历史小说 叙事 节奏 

分 类 号：I207.4[文学—中国文学]