材料语言在当代中国画实验中的拓展  

The Extension of Material Language in Modern Chinese Painting Experiment

作　　者：倪龙娇[1] 

机构地区：[1]淮南师范学院美术系,安徽淮南232001

出　　处：《学术界》2012年第3期123-129,285-286,共7页Academics

基　　金：安徽省高等学校青年教师资助计划项目(编号:2007jqw136)

摘　　要：21世纪的今天,绘画艺术多元化的背景带动了材料语言在当代中国画实验中的拓展,画家力求在中国画语言系统中更加深入地寻找资源,以丰富的手段推进中国画的发展。开放的社会形态和多元的文化语境,更应该使我们在完全开放的文化心态中去认知与开拓传统文化。画家要在不断研究现代人的审美需求和调整知识结构的基础上,对传统重新诠释和再创造。At the present time in the 21st century,the diversified background of painting art has driven the extension of material language in modern Chinese painting experiment.Painters try to search deeply for resources in the language system of Chinese painting and promote the development of Chinese painting through various means.The open social formation and multiple cultural contexts allow us to better recognize and open up the traditional culture with a fully open cultural mind.Based on continued researches on modern people's aesthetic demands and readjustment of the knowledge structure,painters need to reinterpret and recreate the traditions.

关 键 词：材料语言 中国画 传统文化 拓展 

分 类 号：J212[艺术—美术]